Last Updated: Tuesday September 24th, 2019 by admin
Monochromes; acrylic sheets, no support: pure plastic. Fabricated in serial production following an established procedure. Yet: so many unpredictable details and surprising production traces; almost organic. The table, part of the installation 5 times ‘Each fifth Monochrome’, is… Read More
Last Updated: Tuesday September 24th, 2019 by admin
A single brush stroke. The smallest possible ‘product’ – apart from the dot – of painting. Fascinating, both as an idea and in the magic of its origination. A single gesture of the hand with an often overwhelming… Read More
Last Updated: Tuesday September 24th, 2019 by admin
This series is the result of destruction. The thick layer of acrylic paint of the originating painting – in chemical terms just plastic – has been ripped from the canvas with quite some force. This process of destruction… Read More
Last Updated: Tuesday September 24th, 2019 by admin
The monochrome painting is a cornerstone of 20th century modern art. My fascination with it stems from its fundamental character: one colour on canvas; that’s all. It brought me large quantities of somewhat sloppy pieces of linen in… Read More
Last Updated: Tuesday September 24th, 2019 by admin
Series of not more than scents of painting. Or maybe traces. Is this about painting? What truth can be found here? What am I looking for?
Last Updated: Tuesday September 24th, 2019 by admin
I take the utmost care to ensure that individual pieces of my work can be barely taken seriously. Mostly they owe their reason of existence to the context of a series or a spatial arrangement. Yet, it happens… Read More
Last Updated: Tuesday September 24th, 2019 by admin
A sheet of watercolor paper, painted with one very thin, nearly desintegrated acrylic color. It hangs from the wall with needles. A smaller sheet of carpet-mesh painted on both sides, hangs loosely over it. Edges, – likewise the… Read More
Last Updated: Monday December 9th, 2019 by admin
Rectangles on paper, arranged in a grid; painted (mostly) in a single watery colour. A simple starting point. A base for a rich painterly space.
Last Updated: Wednesday December 4th, 2019 by admin
Two planes. Divided according to the Golden Ratio. The small one is wet with clean water. The other one is painted with a watery colour. The process starts where the Wet Planes Touch.
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Last Updated: Thursday September 5th, 2019 by admin
Serendipity
The root of this series lies in paintings with a thick skin and sharp cuts, as I made during 2009 till 2012. That skin proved a fine stamp for simple printing techniques. This way a painting turned into… Read More